“Its morgue-like coldness eventually reveals itself to be deeply comforting to some degree — if not while you’re watching it, then perhaps as its big ideas begin to seep into your bone marrow during the days and weeks that follow.”
— David Ehrlich, INDIEWIRE

“With The Shrouds, the filmmaker — not only one of Canada’s greatest creations, but cinema’s, too — has delivered what might be his career-defining masterpiece.”
— GLOBE AND MAIL

“A Cronenbergian body horror of integrity and force.”
— RogerEbert.com

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In an eerie, deceptively placid near-future, a techno-entrepreneur named Karsh (Vincent Cassel) has developed a new software that will allow the bereaved to bear witness to the gradual decay of loved ones dead and buried in the earth.

While Karsh is still reeling from the loss of his wife (Diane Kruger) from cancer—and falling into a peculiar sexual relationship with his wife’s sister (also Kruger)—a spate of vandalized graves utilizing his “shroud” technology begins to put his enterprise at risk, leading him to uncover a potentially vast conspiracy.

Written following the death of the director’s wife, the new film from David Cronenberg is both a profoundly personal reckoning with grief and a descent into noir-tinged dystopia, set in an ominous world of self-driving cars, data theft, and A.I. personal assistants. Offering Cronenberg’s customary balance of malevolence and wit, The Shrouds is a sly and thought-provoking consideration of the corporeal and the digital, the mortal and the infinite.